Alhambra Palace

Dawn on Charles V palace in Alhambra, Granada, Spain.

The Alhambra is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture.

Alhambra derives from the Arabic الْحَمْرَاء (al-Ḥamrāʼ), meaning lit, 'the red one', the complete form of which was الْقَلْعَةُ ٱلْحَمْرَاءُ al-Qalʻat al-Ḥamrāʼ "the red fortress (qalat)". Little is known about the architects and craftsmen who built the Alhambra Palace, but more is known about the Dīwān al-Ins͟hā', or chancery. This institution seems to have played an increasingly important role in the design of buildings, probably because inscriptions came to feature so prominently in their decoration. The head of the chancery was often also the vizier (prime minister) of the sultan.

Current Historical Context

The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction campaigns, which gave the royal palaces much of their definitive character, took place in the 14th century during the reigns of Yusuf I and Muhammad V. After the conclusion of the Christian Reconquista in 1492, the site became the Royal Court of Ferdinand and Isabella (where Christopher Columbus received royal endorsement for his expedition), and the palaces were partially altered. In 1526, Charles V commissioned a new Renaissance-style palace in direct juxtaposition with the Nasrid palaces, but it was left uncompleted in the early 17th century. After being allowed to fall into disrepair for centuries, with its buildings occupied by squatters, the Alhambra was rediscovered following the defeat of Napoleon I, whose troops destroyed parts of the site. The rediscoverers were first British intellectuals and then other American and northern European Romantic travelers. The most influential of them was Washington Irving, whose Tales of the Alhambra (1832) brought international attention to the site. The Alhambra was one of the first Islamic monuments to become the object of modern scientific study and has been the subject of numerous restorations since the 19th century. It is now one of Spain's major tourist attractions and a UNESCO World Heritage Site.

Inscriptions

There is No Victor But God

The Alhambra features various styles of the Arabic epigraphy that developed under the Nasrid dynasty, and particularly under Yusuf I and Muhammad V. José Miguel Puerta Vílchez compares the walls of the Alhambra to the pages of a manuscript, drawing similarities between the zilīj-covered dados and the geometric manuscript illuminations, and the epigraphical forms in the palace to calligraphic motifs in contemporary Arabic manuscripts. Inscriptions typically ran in vertical or horizontal bands or they were set inside cartouches of round or rectangular shape.

Most major inscriptions in the Alhambra use the Naskhi or cursive script, which was the most common script used in writing after the early Islamic period. The texts of the Alhambra include "devout, regal, votive, and Qur'anic phrases and sentences," formed into arabesques, carved into wood and marble, and glazed onto tiles.

Court of the Lions

The Court of the Lions and its central fountain The Palace of the Lions is one of the most famous palaces in Islamic architecture and exemplifies the apogee of Nasrid architecture under the reign of Muhammad V. Its central rectangular courtyard measures about 28.7 meters long and 15.6 meters wide, with its long axis aligned roughly east-to-west. The arches and columns of the surrounding portico are arranged in a complex pattern of single columns alternating with groups of two or three columns, a design that was unique in Islamic architecture. Two ornate pavilions stand at the east and west sides of the courtyard, while the center is occupied by the famed Fountain of the Lions. The fountain consists of a large basin surrounded by twelve stylized lion sculptures, all carved from marble. Along the rim of the fountain's basin is an inscribed poem composed by Ibn Zamrak. This praises the beauty of the fountain and the power of the lions, but it also describes their hydraulic systems and how they worked.

See Also

Unus Mundus

Cosmic Dragon Awakening

19D, 20D and 21D