36,780
edits
Golden Ratio: Difference between revisions
no edit summary
No edit summary |
No edit summary |
||
| Line 14: | Line 14: | ||
In 1509, Luca Pacioli wrote a book that refers to the number as the "Divine Proportion," which was illustrated by Leonardo da Vinci. Da Vinci later called this sectio aurea or the Golden section. The Golden ratio was used to achieve balance and beauty in many Renaissance paintings and sculptures. Da Vinci himself used the Golden ratio to define all of the proportions in his Last Supper, including the dimensions of the table and the proportions of the walls and backgrounds. The Golden ratio also appears in da Vinci's Vitruvian Man and the Mona Lisa. Other artists who employed the Golden ratio include Michelangelo, Raphael, Rembrandt, Seurat, and Salvador Dali.<ref>[http://www.livescience.com/37704-phi-golden-ratio.html Live Science]</ref> | In 1509, Luca Pacioli wrote a book that refers to the number as the "Divine Proportion," which was illustrated by Leonardo da Vinci. Da Vinci later called this sectio aurea or the Golden section. The Golden ratio was used to achieve balance and beauty in many Renaissance paintings and sculptures. Da Vinci himself used the Golden ratio to define all of the proportions in his Last Supper, including the dimensions of the table and the proportions of the walls and backgrounds. The Golden ratio also appears in da Vinci's Vitruvian Man and the Mona Lisa. Other artists who employed the Golden ratio include Michelangelo, Raphael, Rembrandt, Seurat, and Salvador Dali.<ref>[http://www.livescience.com/37704-phi-golden-ratio.html Live Science]</ref> | ||
[[File:600px-Da Vinci Vitruve Luc Viatour.jpg|thumb|The drawing is based on the correlations of ideal human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise De Architectura.]] | |||
==Golden Ratio in Nature== | ==Golden Ratio in Nature== | ||