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Rasha Body Instruction Set: Difference between revisions
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So these gel rings, we could say they exist in dimensional spaces but they’re not necessarily that because they’re instruction sets of sound tones and these sound tones play music and in the span of which that music is played, there’s a ring tone within a span and that is like a watery body where the sound tone is played. So within that, let’s say that dimensional space where there is a sound tone in a span watery mass, that is a music that is being played as a ring tone and that space is called a span. So the rings themselves are grouped in sets of three – just like dimensions are – and they have a sound tone instruction for the dimensions. When we understand all of the problem with the inverted female and the corruption with sound in music, then we get this importance of the dark matter because this is the corrected music of the [[Christos-Sophia]] – the corrected sound tones. | So these gel rings, we could say they exist in dimensional spaces but they’re not necessarily that because they’re instruction sets of sound tones and these sound tones play music and in the span of which that music is played, there’s a ring tone within a span and that is like a watery body where the sound tone is played. So within that, let’s say that dimensional space where there is a sound tone in a span watery mass, that is a music that is being played as a ring tone and that space is called a span. So the rings themselves are grouped in sets of three – just like dimensions are – and they have a sound tone instruction for the dimensions. When we understand all of the problem with the inverted female and the corruption with sound in music, then we get this importance of the dark matter because this is the corrected music of the [[Christos-Sophia]] – the corrected sound tones. | ||
So in the center of these spans, again understanding as well let’s say, let’s talk about the Earth spans in her gel rings | So in the center of these spans, again understanding as well let’s say, let’s talk about the Earth spans in her gel rings. So the Earth has her own gel rings. So let’s say, in the first three spans, this would correlate to the first three dimensions, the first second and third dimension or the first, second and third spans. And these spans are connected to the [[Crystal Core]] of the planet. | ||
Now the next section is what would be the soul layers, Right, the 4th, 5th, and 6th dimensional layers but this would be 4th, 5th, and 6th dimensional | Now the next section is what would be the soul layers, Right, the 4th, 5th, and 6th dimensional layers but this would be 4th, 5th, and 6th dimensional [[Rasha Spans]]. And in that span, is this is the aquifers now. This is the watery fluid vapors, the watery fluids of the underground aquifers of our planet correspond to the soul layers. So this would be like understanding, if you infect the waters, you infect the soul because the soul layers are directly receiving the sound tone messages from the 4th, 5th, and 6th dimensional spans in the underground aquifers of the planet. So again, we’re going through a clearing of this right now right, with the creation of the corrected Rasha body but understanding just again how massive this is, ‘cause this is just the planetary Rasha body, this is not a universal Rasha body, right? We have a Rasha body individually, the planet has a Rasha. Everything has a Rasha body and all of those Rasha bodies are in a universal matrix – Mother Matrix Rasha body. So it’s just massively huge. | ||
Now beyond the soul layered 4th, 5th, and 6th spans, now we come to the lower middle and higher layers of the Earth shelf. This would be the Earth mantle, the mountains, the crust of the Earth, the upper layers of the crust of the Earth would make up the monadic connections. So 7, 8 and 9 span tones would be now the matter of the Earth mantle. So that would be again the instruction sets would be coming from the monadic layers. This is now where we get | Now beyond the soul layered 4th, 5th, and 6th spans, now we come to the lower middle and higher layers of the Earth shelf. This would be the Earth mantle, the mountains, the crust of the Earth, the upper layers of the crust of the Earth would make up the monadic connections. So 7, 8 and 9 span tones [[TA MA KA Tones]], would be now the matter of the Earth mantle. So that would be again the instruction sets would be coming from the monadic layers. This is now where we get [[Metatronic Reversal]]. So think on the surface of the Earth – the Earth mantel, the Earth crust – and on the surface, part of the surface, we have the ley lines, right? We have the timelines, we have the different grid systems of the planet that have been manipulated with metatronic reversal and reversal 10-10 current. Okay, so that current was put there because of the monadic problems, right, monadic reversal that was impacting the Earth mantle and the matter of Earth so that the Earth matter and the Earth mantle and the Earth crust and the Earth mountains were not sending out the monadic instruction sets that they were supposed to because again, the [[Rasha body]] wasn’t there with the correct sound tone patterns in 7, 8 and 9 spans, [[TA MA KA Tones]] sending out the proper ring tones to the monadic music that would bring the monadic spirit energies and its signature to be emanated out of the Earth crust. | ||
Okay so now further, in the 10th, 11th and 12th layers of the span of the Rasha body, now we get to the atmosphere around the planet and this is the Solar Logos. So the Solar Logos, now think remember all that we know about the Solar Logos | Okay so now further, in the 10th, 11th and 12th layers of the span of the Rasha body, [[RA SHA LA Tones]] now we get to the atmosphere around the planet and this is the Solar Logos. So the [[Solar Logos]], now think remember all that we know about the Solar Logos. We know about the history of Lyra and the Cradle of Lyra. We know that the 10th dimension connects to Vega and 11 is Aveyon and 12 is to Aramatena. We know that the Solar Logos was exploded, right? So this is another form of the Logos, the Solar Logos, Christ-Buddah span of 10, 11 and 12 forms in the [[Rasha Body]] of Earth. It is the atmosphere around the planet. Okay so now we’re talking to the [[Cosmic Christ]] and we’re doing our Christic shielding and you’re thinking about the atmosphere, this is now wind sylphs, this is celestial air, you know intelligent air substances. It does not come to mind at this moment in terms of their name but thinking of the atmosphere, again the winds, the vapors, the sylphs, all of the wisps. The atmosphere around the planet is now coming into the corrected Solar Logos spans that are coming from the Rasha body to create the corrected transmission of energetic signatures from the sound template and that is found in the atmosphere. | ||
Now further out, now we get to the coronasphere and this is 13, 14 and 15 which we have been talking about is critical. This is the starry night dark firmament that is connected to the Triple Solar Masculine and Triple Solar Feminine merge. Now again, at this level of Rasha body, this is the feminine body so it’s the Solar Reisha, the 13, 14, 15 Solar Reisha form the coronasphere and they again merge with their solar counterparts and this is the blending of Hierogamic Union or Golden Aeonesis through the Christos-Sophia in bringing the Solar Rishi and the Solar Reisha from the coronasphere together, and of course this is a huge and big deal because we didn’t have a coronasphere because we did not have our beloved Solar Reisha here, right? We did not have Triple Solar Goddess. All of our female principle was corrupted with the lunar matrix and all of this black substance. So the fact that we have our Solar Reisha architecture, we have the body of the Solar Reisha, we have the Cathar, we have the body of the coronasphere, this is huge and this is what the dark, the starry night dark matter firmament means. | Now further out, now we get to the coronasphere and this is 13, 14 and 15 which we have been talking about is critical. This is the starry night dark firmament that is connected to the Triple Solar Masculine and Triple Solar Feminine merge. Now again, at this level of Rasha body, this is the feminine body so it’s the Solar Reisha, the 13, 14, 15 Solar Reisha form the coronasphere and they again merge with their solar counterparts and this is the blending of Hierogamic Union or Golden Aeonesis through the Christos-Sophia in bringing the Solar Rishi and the Solar Reisha from the coronasphere together, and of course this is a huge and big deal because we didn’t have a coronasphere because we did not have our beloved Solar Reisha here, right? We did not have Triple Solar Goddess. All of our female principle was corrupted with the lunar matrix and all of this black substance. So the fact that we have our Solar Reisha architecture, we have the body of the Solar Reisha, we have the Cathar, we have the body of the coronasphere, this is huge and this is what the dark, the starry night dark matter firmament means. | ||