Rasha Body Instruction Set: Difference between revisions

So these gel rings, we could say they exist in dimensional spaces but they’re not necessarily that because they’re instruction sets of sound tones and these sound tones play music and in the span of which that music is played, there’s a ring tone within a span and that is like a watery body where the sound tone is played. So within that, let’s say that dimensional space where there is a sound tone in a span watery mass, that is a music that is being played as a ring tone and that space is called a span. So the rings themselves are grouped in sets of three – just like dimensions are – and they have a sound tone instruction for the dimensions. When we understand all of the problem with the inverted female and the corruption with sound in music, then we get this importance of the dark matter because this is the corrected music of the [[Christos-Sophia]] – the corrected sound tones.

So in the center of these spans, again understanding as well let’s say, let’s talk about the Earth spans in her gel rings. So the Earth has her own gel rings. So let’s say, in the first three spans, this would correlate to the first three dimensions, the first second and third dimension or the first, second and third spans. And these spans are connected to the [[Crystal Core]] of the planet. So the instruction sets of the Crystal Core are also receiving messages from 1D, 2D, 3D. That’s what makes up the miasma of the collective consciousness negative ego, right? So let’s say the 1D, 2D, 3D span of the sound tones in the core of the Earth, listen and pick up the signals from the 1D, 2D, 3D layers. This has been targeted with alien machinery and extensive mind control and the reason we have to clear the negative ego layers in our lightbody in order to elevate ourselves into the observer consciousness, but understanding that’s the clearing of the shadow selves out of 1D, 2D, 3D layers of which have directly impacted the instruction set of the [[Crystal Core]].