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Theatre of the Absurd: Difference between revisions
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[[World War II]] was the catalyst that finally brought the [[Theatre of the Absurd]] to life. The global nature of this conflict and the resulting trauma of living under threat of nuclear annihilation put into stark perspective the essential precariousness of human life. Suddenly, one did not need to be an abstract thinker in order to be able to reflect upon absurdity: the experience of absurdity became part of the average person's daily existence. The most famous, and most controversial, absurdist play is probably Samuel Beckett’s Waiting for Godot. The characters of the play are strange caricatures who have difficulty communicating the simplest of concepts to one another as they bide their time awaiting the arrival of Godot. The language they use is often ludicrous, and following the cyclical patter, the play seems to end in precisely the same condition it began, with no real change having occurred.<ref>[theatre of absurd, Jerome Crabb 2006]</ref> | [[World War II]] was the catalyst that finally brought the [[Theatre of the Absurd]] to life. The global nature of this conflict and the resulting trauma of living under threat of nuclear annihilation put into stark perspective the essential precariousness of human life. Suddenly, one did not need to be an abstract thinker in order to be able to reflect upon absurdity: the experience of absurdity became part of the average person's daily existence. The most famous, and most controversial, absurdist play is probably Samuel Beckett’s Waiting for Godot. The characters of the play are strange caricatures who have difficulty communicating the simplest of concepts to one another as they bide their time awaiting the arrival of Godot. The language they use is often ludicrous, and following the cyclical patter, the play seems to end in precisely the same condition it began, with no real change having occurred.<ref>[theatre of absurd, Jerome Crabb 2006]</ref> | ||
==Social Norms Mirror Theatre of the Absurd== | |||
To maximize the efficiency of the [[NAA|Negative Alien Agenda’s]] gradual takeover of the planet through [[Mind Control|psychological warfare]], their goal is to intentionally destroy moderate and humanitarian social norms as value systems, in order to covertly infiltrate the main societal organizational structures of humanity. [[Social Norms]] are familiar understandings that govern the behavior of members in a society. The roles of norms are collective consciousness representations, which emphasize and guide human behavior in certain situations or are observed in the environment as mental representations that inform appropriate behavior. The covert mainstream agenda is to control social norms to be intentionally guided into extremism and fanaticism, to bring forth the [[Theater of the Absurd]] and absurdist behavior. Essentially, a reality bubble that is devoid of meaning in establishing [[Humanism|humanitarian values]], personal [[Accountability]] and common sense, breaking down society into a well-designed parody of tragic comedy. | To maximize the efficiency of the [[NAA|Negative Alien Agenda’s]] gradual takeover of the planet through [[Mind Control|psychological warfare]], their goal is to intentionally destroy moderate and humanitarian social norms as value systems, in order to covertly infiltrate the main societal organizational structures of humanity. [[Social Norms]] are familiar understandings that govern the behavior of members in a society. The roles of norms are collective consciousness representations, which emphasize and guide human behavior in certain situations or are observed in the environment as mental representations that inform appropriate behavior. The covert mainstream agenda is to control social norms to be intentionally guided into extremism and fanaticism, to bring forth the [[Theater of the Absurd]] and absurdist behavior. Essentially, a reality bubble that is devoid of meaning in establishing [[Humanism|humanitarian values]], personal [[Accountability]] and common sense, breaking down society into a well-designed parody of tragic comedy. | ||