Alhambra Palace
The Alhambra is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture.
Alhambra derives from the Arabic الْحَمْرَاء (al-Ḥamrāʼ), meaning lit, 'the red one', the complete form of which was الْقَلْعَةُ ٱلْحَمْرَاءُ al-Qalʻat al-Ḥamrāʼ "the red fortress (qalat)". Little is known about the architects and craftsmen who built the Alhambra Palace, but more is known about the Dīwān al-Ins͟hā', or chancery. This institution seems to have played an increasingly important role in the design of buildings, probably because inscriptions came to feature so prominently in their decoration. The head of the chancery was often also the vizier (prime minister) of the sultan.[2]
Current Historical Context
The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction campaigns, which gave the royal palaces much of their definitive character, took place in the 14th century during the reigns of Yusuf I and Muhammad V. After the conclusion of the Christian Reconquista in 1492, the site became the Royal Court of Ferdinand and Isabella (where Christopher Columbus received royal endorsement for his expedition), and the palaces were partially altered. In 1526, Charles V commissioned a new Renaissance-style palace in direct juxtaposition with the Nasrid palaces, but it was left uncompleted in the early 17th century. After being allowed to fall into disrepair for centuries, with its buildings occupied by squatters, the Alhambra was rediscovered following the defeat of Napoleon I, whose troops destroyed parts of the site. The rediscoverers were first British intellectuals and then other American and northern European Romantic travelers. The most influential of them was Washington Irving, whose Tales of the Alhambra (1832) brought international attention to the site. The Alhambra was one of the first Islamic monuments to become the object of modern scientific study and has been the subject of numerous restorations since the 19th century. It is now one of Spain's major tourist attractions and a UNESCO World Heritage Site.
Inscriptions
The Alhambra features various styles of the Arabic epigraphy that developed under the Nasrid dynasty, and particularly under Yusuf I and Muhammad V. José Miguel Puerta Vílchez compares the walls of the Alhambra to the pages of a manuscript, drawing similarities between the zilīj-covered dados and the geometric manuscript illuminations, and the epigraphical forms in the palace to calligraphic motifs in contemporary Arabic manuscripts. Inscriptions typically ran in vertical or horizontal bands or they were set inside cartouches of round or rectangular shape.
Most major inscriptions in the Alhambra use the Naskhi or cursive script, which was the most common script used in writing after the early Islamic period. The texts of the Alhambra include "devout, regal, votive, and Qur'anic phrases and sentences," formed into arabesques, carved into wood and marble, and glazed onto tiles.
Court of the Lions
The Court of the Lions and its central fountain The Palace of the Lions is one of the most famous palaces in Islamic architecture and exemplifies the apogee of Nasrid architecture under the reign of Muhammad V. Its central rectangular courtyard measures about 28.7 meters long and 15.6 meters wide, with its long axis aligned roughly east-to-west. The arches and columns of the surrounding portico are arranged in a complex pattern of single columns alternating with groups of two or three columns, a design that was unique in Islamic architecture. Two ornate pavilions stand at the east and west sides of the courtyard, while the center is occupied by the famed Fountain of the Lions. The fountain consists of a large basin surrounded by twelve stylized lion sculptures, all carved from marble. Along the rim of the fountain's basin is an inscribed poem composed by Ibn Zamrak. This praises the beauty of the fountain and the power of the lions, but it also describes their hydraulic systems and how they worked.[3]
Emerald Order Alhambra Reclamation 11:11
Emerald Order Guardians brought to our attention the next stage of reclamation of Christos and Return of the Emerald Order that began on 11:11 with the Cosmic Mother Dragon reclaiming her body parts in the sacred architecture connected to the Alhambra Palace in Spain. Essentially, the Cosmic Mother’s sophianic heart principle has a galactic access point within the Alhambra Palace complex, which holds an incredibly powerful secret of natural alignment with galactic nodes. The Cosmic Mother Dragon connected with the Unis Mundi in this location and transmitted light seed codes into Alhambra through her sacred rainbow dragon breath through the 11:11 gateway, as a part of the solar fire that anoints and reclaims sacred structures on the Earth for their true divine purpose. Alhambra’s recent retrieval from the anti-human vandals inverting its sacred architecture and spiritual properties in base 10 reversals, begins another stage of planetary architecture restoration of the sacred crystal heart of the Triple Solar Masculine and Triple Solar Feminine, which is necessary for the reseating of King Arthur and Queen Meri-Guinevere within the Triple Solar Solomon Temple being built in the Albion.
Alhambra’s sacred network has been dormant for thousands of years in its true potential, the original spiritual temples built upon dragon nodes were destroyed and rebuilt several times by Romans, Visigoths, Muslims and Catholics. Some of the buildings, water features and ornamentation are much older than they are being credited, as their creation pre-dates Roman Invasion, Islam and Catholicism. Nevertheless, the Islamic rulers and subsequent Catholic Kings of Spain continuously modified the Alhambra Palace with significant construction campaigns, which added to the architectural diversity and confusion in dating the newer compounds built on top of buried and flooded older compounds, yet it still retains the blended idealized imagery of religious paradise that was held in the sacred texts of the Islamic, Jewish and Christian Spanish kingdoms. All Kings past that had retained some awareness of the ancient mystery school knowledge of the Celtic Church, as once taught on the coastline of Hispania along with the troubled history of this sacred site carried down from the ages, shared the burning desire to rule their kingdom from the powerful Unis Mundi located in the Alhambra Palace.
Thus, Alhambra Palace holds another important key in restoring the planetary grid system for the corrected 11:11 architecture and stargate systems for the Albion, and serves as another example of the victors of war rewriting history in order to remove the historical references of the sacred spiritual architecture that is present there.
To better comprehend the current planetary activations and corrections happening to retrieve the Holy Mother and her Triple Solar Feminine Christ ‘Reisha’ consciousness body parts from the martyr’s Blood Sacrifices of the Spanish Inquisition in the Alhambra complex carried out by the Vandals of the Holy Grail Blood, we’ll need to revisit some of its historical past.[4]
Islamic Rule and Fall in Iberia
During the height of Islamic power in the early 700’s, the Umayyad Caliphate sought to conquer the entire Iberian Peninsula from the remnant civilization of the earlier Roman empire by invading from the southernmost tip of Spain, entering from North Africa. The Arab and Berber conquest was to establish and expand their Islamic empire for the Caliphate, which later on became centered around the powerful sacred energies of the Unis Mundi found at the Alhambra complex in Granada, which energetically was influenced by the emergence of esoteric Islam, known as Sufism. Further, during this period of the Muslim invasion in Hispania, internal strife of ethnic tensions along with the aftermath leading up to Napoleonic wars, eradicated any traces of the original Nazarene Christos teachings of the Triple Solar Masculine and Triple Solar Feminine, that was being preserved by the Celtic-Druid Grail Bloodlines and their Essene Gnostic groups that had settled around dragon nodes throughout Spain, Portugal and parts of Southern France. These invaded areas during the Muslim conquest and their rule throughout Spain and Portugal became known as Al-Andalus. The etymology of the Al-Andalus in current day southernmost Spain, Andalusia, translates as the Vandals of Holy Grail Blood. Guardian Host confirms this associated meaning while repeatedly referring to the NAA preferred genetic race lines that are intentionally destroying historical artifacts and Krystic coded architecture in the planetary grid system for the conquering nonhuman species as, the Vandals.
Historical accounts tell us that in 1492 after an eight-month siege culminating into the last stand, the Nasrid dynasty’s Muhammad XII of Granada finally surrendered the Alhambra Palace to the military forces of Isabella’s Crown of Castile and Ferdinand’s Crown of Aragon. This effectively ended the Islamic rule in the Iberian Peninsula, where peace and celebration for the victory was very short lived, as the ambitious Catholic Monarchs and Cardinals were determined to cement their power as statesmen for the Church of Rome. The Catholic Monarchs Ferdinand and Isabella took the Alhambra complex to be their royal court and shortly after issued the Alhambra Decree, known as the Edict of Expulsion. Thus, the aggressive campaign of religious persecution to identify all heretics against the Church of Rome in Spain began with the Alhambra Decree, in which the inexpressible horrors of the Spanish Inquisition were carried out as an angelic human genocide in all Spanish territories and colonies.
The Spanish Inquisition was modeled upon the Medieval Inquisition formed within the Catholic Church whose outward public goals were to combat heresy, but more accurately were created to hunt down and destroy the groups that had the original Christos Essene Templar Law of One teachings taught by Yeshua the Christ. The Celtic Church and their Aryan teachers from Hyperborean lineages had long been a presence throughout the coastline of the Mediterranean, and the Alhambra Palace was another original temple site built for meditation with the Unis Mundi configuration in the underground caves and tunnel system. Thus, the first Inquisition was created through papal bull, issued by the Pope to attack the spiritual family of Cathars with the Albigensian Crusade in southern France. The Spanish Inquisition historical narrative focuses upon the expulsion of Jews and Muslims from Spain, but more accurately, it was the persecution of any religious beliefs outside of the Church of Rome as controlled by the Black Suns, with an emphasis on continuing the blood sacrifice human holocausts, while hunting down and destroying the Christos Essene Templars.
Alhambra as the Royal Residence, Baraka
The Alhambra is commonly believed to be built upon the ruins of a fortress built by the Roman Empire, which was renovated and expanded into a palace and gardens fit for the royal family of the emir, Muhammad I of Granada. The Alhambra was the primary household of the ruling family and the palace was used to teach the Quran through Islamic symbols and holy verses that were written in the inner walls with ornate wall sculptures designed with beautiful calligraphy inscriptions. It is estimated that there are over 10,000 Arabic inscriptions adorning the walls of the Alhambra Palace, which apparently language experts are working hard to translate over the past few years. The Islamic mysticism inscriptions in cursive calligraphy are similar to the energetic impacts found in some of the temple walls with Egyptian hieroglyphs or with Himalayan Sanskrit, some of the inscriptions have multidimensional layers connected with frequency tones held together in webs of light coded symbols.
Thus, the Islamic poems and verses inscribed throughout show great appreciation for art and beauty, conversations about astronomy and metaphysics, as well as presentations on religion and the royal family’s dynastic conquests. Spanish academics state that the most common engraving is “There’s no greater conqueror than Allah,” a reminder to the mere mortals of who was actually in power.
Alhambra is filled with water fountains, baths and bodies of water that are essential features in the palace gardens and throughout the complex to magnify the effects of the mother principle “red one’s” galactic node, with tonal frequencies and spiritual energies from the underground aquifer’s crystals ringing out to reach into the heavens as the Unis Mundi. Elaborate water distribution systems were carried from the higher elevation of the Acequia Real which is the main water channel that supplied the entire Alhambra citadel with water flowing throughout the marble fountains and stone ornaments, which had already been discovered thousands of years beforehand by the original architects of Alhambra.
The Court of Lions which includes the courtyard centerpiece of the circular water fountain of 12 Lion statues emitting water from their mouths, holds the symbolism of the mother that provides the sacred waters of holy spiritual essence that sustains all of life throughout the paradisian gardens. Or this can be considered as the archetypal fountain of eternal life, the fountain of eternal youth through which the sacred golden imbued Azothian water flows perform the spiritual alchemy of the material elements for resurrection into the eternal solar light, also known as ascension. In this section of the Alhambra complex, the mathematical geometries and blessings are magnified by the hundreds of inscribed word tones of BARAKA, which is designed to connect with the Unis Mundi principle in order to flow the spiritual presence and revelations of God in heaven as blessings, to those in the matter world that are closest to embodying the same divine frequency of heavenly paradise. Baraka symbolizes this connection between the divine and the worldly through God's direct and intentional blessing of those that are most reflective of the divine attributes of God.
The architects who originally built this court intended that material creations can be imbued with Gods blessings which are tones of ba-ra-ka that are transmitted to other creations through close physical proximity, when those closest to God or sacred portals in the Earth are being utilized to transmit Gods presence through them in order to grant baraka. The ultimate source of baraka (blessings) is God, and this principle goes beyond the teachings of Islamic mysticism as it is an ancient wisdom teaching of Universal truth that was always present in Alhambra.
Numerous legends about King Solomon and the Temple of Solomon are also connected to Alhambra, as well as other stories that contained descriptions of crystalline glass buildings made out of gold and shimmering water, that were made popular by the New Testament and were of special interest to those in power. Triple Sun architecture of Solomon Priest Kings are imbued within the Alhambra complex, and thus the signature remains imprinted upon the royal residence of the Alhambra, as the sacred architecture brought into form was believed to bring on supernatural powers to those Kings and Queens whom resided there. King Solomon was the desired divine masculine archetype for many rulers of the past and present, in which the King is not just a mortal man with incredible wealth, lands and armies, but is gifted with transcendence and supernatural powers as chosen by God’s divine right to rule.[5]
Alhambra’s Gridwork Synopsis
Cosmic Mother announced her mission to reclaim Alhambra on 11:11 [11/11/2022], to observe the energetic structure of the Alhambra complex on her behalf, which reveals the Red Cube network that was artificially put in place to mimic and control the red planetary earth principle in the elemental structures which respond to the Galactic tone 10 within the planetary manifestation. For more see Alhambra’s Gridwork Synopsis.
Group Prayer for Alhambra
Our loving prayers for the divine representation of Alhambra as the Unis Mundi, as we restore and return the truth that is the living eternal light and holy spirit of our Cosmic Mother to this world: may the Earth's Holy Mother Sophia, may the Earth's sacred solar daughters of Sophia find Her body cleansed, find Her body washed away from suffering, purified in the crystal waters of eternal life, to be reborn and nourished, to be re-emerged anew. May Her natural kingdoms on Earth be restored to find their true nature as One with the Holy House of God in the Stairway to Heaven, as held in the loving arms of our Cosmic Mother and Cosmic Father! And so, it is! [6]
References
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